Modna konfekcija
Projekat | Modna konfekcija | |
---|---|---|
Investitor | Modna konfekcija d.d. Sarajevo | |
Projektant | Amir Vuk - Zec d.i.a. | |
Nadzor | ||
Izvođač | ||
Lokacija | Dženetića Čikma 1 - Stari Grad Sarajevo | |
Površina | 2.720 m2 | |
Početak radova | 2007. | |
Završetak radova | 2008. | |
Vrijednost projekta | ||
Kontakt |
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https://mail.sa-c.net/projects/objekti-visokogradnje/nestambene-zgrade/poslovne-zgrade/modna-konfekcija#sigProId2d30821a24
Diskrenta poslovna zgrada, Sarajlijama poznata kao 22. decembar, modna kuća vojnih uniformi, u neposrednoj je blizini glavne sarajevske pijace, čuvenih Markala. Pravougaone forme u tlocrtu, kao i u presjeku - ona je egzemplar moderne. Nadograđeni sprat je u sintaksi te arhitekture. Povučen je i akcentiran strehom, koja se po bočnoj strani spušta i krije požarno stepenište. Ispred udarne fasade, koja prima jugozapadne svjetlo, ispletena je zavjesa od čelične mreže. Dijelovi staklene fasadne opne mjestimično su pikselizirani transparentnim staklom. Tako dnevno svjetlo boji unutrašnje prostore, a kada je rasvjeta u funkciji - boji fasadu. Kuća je light verzija prethodne. Svedena je na jednu fasadu. Maknute su prethodne parapetne podloge i postavljena lelujava transparentna opna. Akteri u dramatici ove fasade su upravo ovovremeni materijali - od trespe, bakelitne obloge u dezenu drveta, do inoks mreže i stakla u boji.
The discreet commercial property known to the residents of Sarajevo as 22 December, a retail outlet for military uniforms, is right by Sarajevo's busy central market, Markale. Rectangular in plan and elevation, it is the epitome of modernism. The additional storey, which is set back and accentuated by eaves which dip down to the side to conceal the fire escape, retains the same architectural syntax. The main facade, facing south-west, is curtained in steel mesh. Portions of the glass facade are partly pixelized with transparent stainded glass, so that daylight casts pools of colour in the interior, and when the lighting is turned on it colours the facade. The building is a ''lite'' version of its predecessor, reduced to a single facade. The original parapets have been removed, and replaced by a floating transparent membrane. The actors in the drama of this facade are avantgarde materials, ranging from wood-textured bakelite Trespa panels to stainless steel mesh and stained glass.